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ACTORS
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ACTORS
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Getting Child Actors and Child Models Into The Act |
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Children enter the acting business by various means. School plays, choir and instrumental recitals, pageants and photo contests, and dance festivals offer opportunities to perform in front of an audience. Participation in the high school drama club, in speech contests or forensic events such as debating, original oratory, humorous, dramatic or oral interpretation, help develop good speech, projection, poise, timing, and appearance in the child. Gifted children have numerous opportunities to work in commercials, films and theater, but commercials probably use more children than any other acting category. And by definition, TVs family shows require several children in every family. The process for breaking into the industry, as well as matters concerning industry laws, unions, regulations and work permits, remain the same for all children under eighteen who have not been declared emancipated through the courts.
The child actor will need a work permit from the state of residence, and a social security card, both of which may be obtained from the Department of Social Services (800-772-1213; http://www.ssa.gov) and/or State Labor Office (http://www.dol.gov/dol/location.htm). It is a well enforced rule that without a work permit the child actor will not be allowed to work. Work permits are required by the child’s home state, and the child works under these laws, no matter where the work is happening.
Terms To Know |
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Academic Theatre. Theatre connected with school and having educational, rather than commercial, goals. The physical plant may be anything from a classroom or outdoor platform to a full-size proscenium arch theatre. The actors are usually drawn from theatre classes, although there may be guest performances from community members or by a professional artist-in-residence. The works produced may be well-known standards of the commercial theatre or student-written works-in-progress. Commercial Head or 3/4 Shot. Used to seek a commercial agent, and on commercial auditions. The shot usually depicts the subject as perky and upbeat with bright energetic eyes. Coogan Laws. Guidelines created by SAG and named after child-actor, Jackie Coogan, for the work and pay schedules of children. Educational Theatre. Theatre conducted in or as an adjunct to schools. Also, theatre with a didactic purpose. Monologue. A speech used by an actor to demonstrate his or her ability at an audition. SAG-franchised. Status of an agent or agency that has signed papers with SAG and agrees to operate within SAG guidelines. |
A social security card allows payment to be made to your child. To obtain one, two forms of identification are required, a birth certificate and any other form of identification with the information of your childs birth printed on it. Keep in mind that every child under eighteen is a minor and requires adult supervision on the set and a guardian to sign contracts.
The process for getting an agent has been covered in another section of this website. However, to rehash again briefly, one safe route is to contact Screen Actors Guild (SAG) in Los Angeles or New York for a current list of SAG-franchised talent agencies. A caution here is to beware of agents or agencies that look for substantial upfront money.
Some of what has been included in the section on headshots for grown actors certainly applies here. But although a single headshot can be adequate for the child, a composite with different facial expressions is thought to be most useful, successful, and eye catching for casting directors.
During casting, areas under consideration include:
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At the appropriate age, training and/or acting lessons weigh in because they give children a structured environment with positive feedback to learn and practice the craft.
Unless told otherwise by your agent, have your child wear the same clothes worn to the first audition. Advise your child to listen to what is being said, and to respond when spoken to. Callback procedures are the same as those at the first audition: sign in into the log, do advance preparation by rehearsing lines, wait for your name to be called for the actual audition. The difference between first calls and callbacks is the time spent with the casting director.
An agent can conduct a trial with your child for a three-month period (without a contract) for commercial and theatrical representation. Past this, and depending on how well things went, the larger agencies may ask you to sign a formal one-year contract. If you sign and they dont find work for your child within 90 days, by law the contract is invalid. Of course a good rule of thumb before signing any legal paper work is to have it reviewed by appropriate legal counsel.
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Click the titles of the above books for their availability, or enter the title of a book not shown in the above listing in the search box below. |
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Search for magazines by entering the title or keywords in the search box below. |
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Chorus America |
Educational Theatre Association |
National Association for Music Education (MENC) |
| National Foundation for Advancement in the Arts (NFAA) Arts Recognition and Talent Search® 800 Brickell Avenue, Suite 500, Miami, FL 33131 Phone: 305-377-1140 Toll Free: 800-970-ARTS Fax: 305-377-1149 NFAA serves as a springboard for successful careers in the arts by helping young artists realize and pursue their dreams in the fields of Classical, Jazz and Popular Music, Voice, Dance, Film and Video, Photography, Theater, Visual Arts and Writing. Email: info@nfaa.org http://www.nfaa.org |
National Guild of Community Schools of the Arts 40 North Van Brunt Street, Suite 32 P.O. Box 8018 Englewood, NJ 07631 Phone: 201-871-3337 Fax: 201-871-7639 The mission of the Guild is to foster and promote broad access to high quality arts education designed to meet community needs. To that end it provides service, advocacy and leadership for community arts education organizations. Email: info@natguild.org http://www.nationalguild.org |
United States Center for the International Association of Theater for Children and Young People (ASSITEJ/USA) 724 Second Avenue South Nashville, TN 37210 Phone: 615-254-5719 Fax: 615-254-3255 A resource for our member theaters and playwrights, as well as for anyone needing information about theater for young audiences. Email: usassitej@aol.com http://www.assitej-usa.org/ |
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